Lara Chapman: How to Find Your Voice and Turn it Into a Business

John Doe

John Doe

episode 47
episode 46

Lara Chapman: How to Find Your Voice and Turn it Into a Business

In this enlightening episode of "Cuttin' Thru with Elliot Tousley," we sit down with Lara Chapman, a renowned vocal coach and TikTok sensation. Lara shares her journey of discovering her authentic vocal style and turning it into a successful business, providing valuable insights for musicians looking to do the same.

Key Points Discussed:

  • Discovering One's Vocal Identity: Lara talks about her early struggles and breakthroughs in understanding her own voice, highlighting the importance of embracing one's natural vocal qualities rather than conforming to popular trends.
  • Transitioning from Performer to Coach: She explains her transition from pursuing a career as a performing artist to becoming a vocal coach, emphasizing how her understanding of the industry and her ability to relate to artists have shaped her coaching methods.
  • Building a Business in Music: Lara discusses how she leveraged social media to build her brand and connect with a wider audience, turning her expertise into a thriving business.

Featured Guest – Lara Chapman: Known for her viral mini singing lessons on social media platforms like Instagram and TikTok, Lara Chapman brings a fresh approach to vocal coaching. She focuses on helping artists find their "prima voce" or true voice, which she defines as the intersection of natural talent and skilled technique.

Key Takeaways:

  • Embracing your unique vocal characteristics can set you apart in the music industry.
  • Transitioning skills from performance to teaching can open new opportunities in the music business.
  • Social media is a powerful tool for building a personal brand and connecting directly with your audience.

Call to Action: For musicians and vocalists striving to find their unique voice and carve out a niche in the competitive music industry, this episode offers a roadmap filled with practical advice and inspiring stories. Tune in to learn from Lara Chapman how to turn your vocal talents into a sustainable career.

Show Transcript

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What we hear on the radio these days, I mean, if you listen to the radio, but even like

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Spotify or, you know, TikTok, Instagram, wherever you listen to music, there is no clear trend

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anymore as far as voice goes, as far as vocal quality goes, as far as pitch goes, how high,

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how low are you singing?

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We hear so many more different things.

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The reason why this is, is labels are no longer in charge of who gets heard and who doesn't.

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And so people are now choosing who they want to listen to and which voice they like and

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which storyteller they like.

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Welcome back to this episode of the Cutting Through Podcast.

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My name is Elliot Tawazili and I am your host.

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In today's episode, we have a vocal coach who is going to teach musicians a little bit

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about how they can find their voice and use that to make their music stand out amongst

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all of this noise in the industry.

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She is a viral sensation of sorts on TikTok and she was born in Switzerland.

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So that's pretty cool.

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Today's guest is the vocal coach, Laura Chapman.

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Laura, Laura Chapman, thank you for joining me today.

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The vocal coach, great mini singing lessons on Instagram and TikTok.

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Thank you very much for joining today.

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Thank you so much for having me, Elliot.

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It's a pleasure to be here.

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It's a pleasure to have you and good talking with you again.

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We were just joking around saying that neither of us really prepared for this and I think

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that's perfect because I really only know generally about what I want to talk with you

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today. But I think that's a good way of kind of steering the conversation as it comes.

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Yeah, absolutely. It leaves room, right?

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It leaves room to have a conversation and not like I need to follow these questions.

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So, right. Yeah, I don't want it to feel like, you know, the Tonight Show or something where

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like here are the four pre-approved questions that I can ask.

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Yeah, there's kind of two sides of the coin that I wanted to talk to you today.

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We have a lot of musicians that watch this content and tune in.

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So I did want to talk to you about just generally like, you know, what are some tips that

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someone who's looking to find their voice or tweak it ever so slightly?

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What are some of the go to tips that they might be able to take advantage of?

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But the second side that I'm really interested to talk to you about is kind of how

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you've made a music business.

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Probably when you were, you know, 18 or something, thinking about like, I can I can

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make it in the music business one day.

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This might not have been what you had in mind.

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But it's really cool that you've like found your spot in this niche.

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So I'm really excited to talk about both sides of that coin and kind of see how you've

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made your music business.

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Absolutely. Happy to share.

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If you don't mind, can you talk to me about like how you got started finding your own

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voice? So like vocally now, not as a business, right?

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Vocally first.

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Vocally. OK, so honestly, I was on the wrong path for probably 10 years.

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So when I first started to take voice lessons or right before I started, I was just

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about to turn 13.

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I could not sing in my head voice at all.

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I could only sing low.

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And of course, the grass is always greener on the other side.

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Right. So I'm like, I want to sing high, just like everyone else around me.

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And so in my voice lessons, I was primarily focused on belting higher and singing

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higher in general. Right.

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Head voice higher, just high, high, high, high, high.

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That's pretty much all I heard on the radio, too.

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You know, that was when Christina Aguilera was on the radio and Beyonce and just, you

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know, like powerhouse singers.

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So for me, that was all I was ever working on to belt higher and sing higher

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in general, because that's what I wanted to do, because the grass is always greener

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on the other side. Right. And so for about 10 years, that's what I did.

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And I was seeing some success.

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You know, I got accepted to it's called the New York Film Academy.

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It's it's in New York City.

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It's it's a film school, but also musical theater.

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So I got my musical theater diploma there.

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I did a two year program program there.

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And then after that, I got accepted to the Berklee College of Music.

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I got my degree in vocal performance, songwriting and music business from there.

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You know, I got into those schools.

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I was part of those performances.

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But it never felt like I was like on the right path to me.

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It was like, yeah, I'm making it, quote, unquote, making it in school.

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But what about in the real world?

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Right. At the same time, I was auditioning for The Voice back in Switzerland.

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When I was in high school, I was auditioning for The Voice.

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I'm originally from Switzerland.

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Maybe I should mention that.

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Very cool.

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And I moved to I moved to the to the United States for college. Right.

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So first for the New York Film Academy and then for Berklee.

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And now I'm still here. I've stayed.

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But anyways, so I auditioned for The Voice and I made it a couple of rounds,

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but I didn't quite make it again.

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Like I got kicked out before the blind auditions, before the televised rounds.

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And so I always felt like the door is opening.

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But as soon as I like step my foot into that door, it's like it closes again.

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And it's just like, oh, come on.

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It never felt like I'm this close.

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You know, I'm this close to making it.

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It always felt like it's I'm not quite there.

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And it wasn't until I.

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So at Berklee, I was taking a class and it was pop, rock and country singing.

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And it was a group setting.

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And one week, like every week, we had to sing a song from a different genre.

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And one week we had to sing a folk or Americana song.

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And I'm like, I don't listen to that genre.

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I do not know any singers from that genre.

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What am I supposed to sing?

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So I asked my teacher for some recommendations and she was like, check out Brandy Carlisle.

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And I'm like, all right, can do.

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So I sang the story by Brandy Carlisle because crazy belt notes.

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Right. That's still in my head.

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That's what I wanted to do.

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I wanted to be known as a belter like Demi Lovato, for example.

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Right. Sure.

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And so I sang that song and I nailed it.

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But it wasn't it wasn't the high belt notes where everyone was like, yeah, that sounds great.

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It was the low notes, right?

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The song has pretty low notes and it stays low for a little bit as well.

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And everyone was like, oh my God, Laura, where did these low notes come from?

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You sound amazing down there.

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And I was like, are you kidding me?

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That's what stood out to you.

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Not the crazy belt notes that I can do to like, nope, the low notes.

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And at the same time, I was auditioning for a manager down in Nashville, Tennessee.

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And I sent him a video because it was first it was all video and then it was in person.

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But through a video, I sent him You Lost Me by Christina Aguilera

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and didn't hear back for a week.

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And I was like, oh, I guess that's a no.

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And then I because I felt like I had nothing left to lose.

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I sent him the recording of the sound check of me singing the story by Brandy Carlisle

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because it, you know, like my classmates and my teacher really loved it.

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I was like, I've got nothing left to lose.

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So I'm just going to send this to him.

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And I kid you not, within two hours, he texted me and he was like, oh my God,

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this is amazing.

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Come down to Nashville and we'll sign the contract.

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And I was like, oh my God.

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For more than 10 years, I was singing the wrong stuff.

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I was just so focused on belting and singing high that I totally forgot

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where I originally came from.

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I came from low notes.

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It's all I could do when like before I started taking voice lessons, right?

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But I totally just neglected that part of my voice and then I kind of like

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refound it on accident.

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And that's when everything changed, right?

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I got signed to a manager.

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I wrote and recorded and released original music.

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I won the John Lennon Songwriting Contest with one of my songs.

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I heard my songs on the radio.

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I played tons of shows.

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I did interviews for magazines and blogs.

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And, you know, I did it all after that.

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And so finding your voice is so much more important than being able to do

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everything with your voice, right?

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And so, yeah, that's kind of my story of how I ended up here, I guess.

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Whether it's social media or singing,

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nowadays, the absolute best way to cut through the noise online is being authentic.

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Laura's story about finding her authentic voice and like the trials and tribulations

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she had to go through to find it is a great example of trying new things,

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finding what works best for you.

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And that can be applied to many different aspects of your music business.

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But I think the key point here is how she was able to find her authentic self

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and her authentic voice.

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And that's a really interesting story where you kind of on accident found your voice.

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And is that you kind of had the light bulb go off where you're like,

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I'm just going to like lean into like what I have rather than keep aspiring to maybe

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just be what I see.

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Like, do you think that part of like wanting to keep going higher and belt louder?

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Was that just because it was the skill that you did not have or was part of it like

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there weren't many mainstream acts that had that lower voice?

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Was that part of it or?

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Yeah, I think it's probably a combination between the two.

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So I call this nature versus nurture.

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So what I did here on the radio was belt belt belt, high, high, high.

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And, you know, Beyonce has a couple of songs where it goes low, like,

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Halo, for example, it goes really low in the beginning.

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And so there were some songs, some artists that were singing low,

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but it wasn't like Cher wasn't a thing anymore, right?

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Or just like an artist who just sits down there the whole time,

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or the majority of the time, at least.

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So that's the that's the nurture part, right?

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I was nurtured to do a certain style of singing because that's what I heard.

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And in my head, I thought that, okay, if I want to have a career in music

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and I want to be a singer in Hollywood, then that's what I need to do, right?

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That's where everyone's like, oh, my gosh, he can sing so well, right?

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When they belt their faces off.

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And so that's that's the nurture part.

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But you cannot neglect that the nature part of it, right?

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And the nature part of it is the voice that you were born with,

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your God given talent, whatever it is you want to call it.

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It's you can't deny it.

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You just can't deny it, right?

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And we all have our strengths and like our natural strengths,

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what we are born with, and that will always be so much more wow

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to your audience than any nurture part, right?

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Anything that you learned in addition to what you were given at birth, right?

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So the nurture part for me was belting and head voice sing high, right?

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The nature part was sing low.

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And so obviously, it's important that we balance both.

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If we only use the nature part, then you're going to be pretty limited, right?

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There's not much that you can do.

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I call this your prima voce, by the way,

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the sweet spot of your voice, the thing that you do the best,

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your strengths, essentially.

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That's your prima voce.

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It's an Italian term.

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So if you're only singing in your prima voce, you're pretty limited.

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And so that's where singing lessons come in

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and the whole nurture part to improve your vocal skills,

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to expand your range, to riff faster and do all those things.

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But what I see very often and which is also what happened to me

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for 10 years is in singing lessons, the nature part can get lost.

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And you only do the nurture part, right?

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You only work on your weaknesses and you kind of forget about your strengths

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because at the end of the day, you take lessons

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because you want to get better at singing, right?

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But what about the thing that you already do well?

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That's your wow factor.

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That's the thing that's going to help you stand out from everybody else.

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That's the thing where everyone's going to be like,

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oh my God, who is this person, right?

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Not the weaknesses that you worked on.

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And so now they're not that weak anymore, now they sound better.

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But still, it's still not your strength.

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It's just a weakness that you were working on.

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So that's the part of singing lessons that usually gets lost,

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which again, I can speak from personal experience.

221
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It's what happened to me for more than 10 years.

222
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And no voice coach ever talked to me about that part of my voice.

223
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And I took lessons with like, I don't know,

224
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12 or 15 different coaches over the years.

225
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And so that's why the lessons that I teach now

226
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and that my team teaches, we focus on your prima voce.

227
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We focus on figuring out what is your strength

228
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and how can we make that stand out even more?

229
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How can we make the strong parts of your voice even stronger

230
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before we dig into the weaknesses of your voice at all?

231
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We do that first.

232
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And then we make sure that you become a,

233
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quote unquote, better singer, a more well-rounded singer.

234
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But I don't want you to lose sight of your strengths.

235
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So that's why we do that part first and then your weaknesses.

236
00:14:25,100 --> 00:14:26,860
That makes total sense.

237
00:14:26,860 --> 00:14:32,860
And I think it being your voice is what is so resonating

238
00:14:32,860 --> 00:14:38,940
because nowadays, I think authenticity is very important with music.

239
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Whether that's the lyrics that were written or the emotion

240
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that someone can feel in the way that it's sung.

241
00:14:48,220 --> 00:14:52,700
Even in the hip hop, if someone doesn't believe what you're saying,

242
00:14:52,700 --> 00:14:57,420
it's taken totally different than if you really believe 50 Cent

243
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was out doing that shit.

244
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It changes the song.

245
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It just changes like, wow, this man.

246
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And I think that's so important.

247
00:15:07,900 --> 00:15:10,780
And I have a question.

248
00:15:10,780 --> 00:15:13,580
When you were getting to the point where you are finding

249
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their prima voce.

250
00:15:17,100 --> 00:15:18,220
Yeah, yeah, that's it.

251
00:15:18,220 --> 00:15:19,500
Prima voce, you're doing it.

252
00:15:23,020 --> 00:15:25,500
When you do that work to get to that sweet spot,

253
00:15:26,780 --> 00:15:31,580
does the work with certain singers then become more so

254
00:15:31,580 --> 00:15:37,740
like trying to strip things away that get in the way of that sweet spot?

255
00:15:37,740 --> 00:15:41,260
Or is it more like just, hey, we just got to bolster

256
00:15:41,260 --> 00:15:43,740
these one or two things and expand it?

257
00:15:43,740 --> 00:15:44,940
Do you know what I'm saying?

258
00:15:44,940 --> 00:15:47,100
Yeah, that's such a good question.

259
00:15:47,820 --> 00:15:51,420
At the end of the day, it really depends on the student.

260
00:15:51,980 --> 00:15:56,220
And what's important to me is that we listen to the student's wishes.

261
00:15:57,180 --> 00:16:00,700
Because we all have this dream of what we want our voices to be.

262
00:16:00,700 --> 00:16:04,380
And more often than not, it does not align with what we have.

263
00:16:04,940 --> 00:16:07,820
Because again, the grass is always greener on the other side.

264
00:16:08,780 --> 00:16:13,980
And so that's why in the beginning, my whole focus is to show them

265
00:16:13,980 --> 00:16:16,620
how their natural voice, their true voice,

266
00:16:18,060 --> 00:16:21,420
their voice that they just have, that's what they were born with.

267
00:16:22,300 --> 00:16:24,300
How beautiful that is.

268
00:16:24,300 --> 00:16:30,860
And when they can see how amazing their voice is without all that fluff

269
00:16:31,580 --> 00:16:33,100
that we can add to the voice,

270
00:16:34,060 --> 00:16:38,780
then usually they don't even want to really dig into

271
00:16:38,780 --> 00:16:41,820
this specific thing that they wanted to work on.

272
00:16:41,820 --> 00:16:45,100
And so at first, it's really kind of like showing the student

273
00:16:45,100 --> 00:16:49,980
that they can let go of this idea what they want their voice to be

274
00:16:49,980 --> 00:16:53,340
and just really find themselves first.

275
00:16:53,340 --> 00:16:57,500
And that usually is a very stripped back version of anything and everything.

276
00:16:57,500 --> 00:17:01,100
And then we look at what I call vocal embellishments.

277
00:17:01,180 --> 00:17:06,060
So that's riffing, vibrato, flips and cracks and raspy singing,

278
00:17:06,060 --> 00:17:07,820
all that kind of stuff.

279
00:17:07,820 --> 00:17:12,220
And tone qualities as well, like breathy voice,

280
00:17:12,220 --> 00:17:14,460
more brightness, less brightness, whatever.

281
00:17:15,820 --> 00:17:19,580
Then a combination of your true voice and the embellishments and the tone,

282
00:17:20,700 --> 00:17:25,500
that will then create what I call your radio effect.

283
00:17:25,500 --> 00:17:27,820
Some people would maybe call it your signature voice.

284
00:17:27,820 --> 00:17:30,540
The thing that everyone can recognize you by,

285
00:17:30,540 --> 00:17:33,500
by just listening to your voice, not seeing you,

286
00:17:33,500 --> 00:17:36,300
not reading your name, just listening to your voice.

287
00:17:36,300 --> 00:17:39,740
It's a combination of your natural voice, your sweet spot.

288
00:17:39,740 --> 00:17:43,900
The radio effect consists of different tones and different embellishments.

289
00:17:43,900 --> 00:17:46,460
And that's how you become recognizable.

290
00:17:48,460 --> 00:17:52,620
Nowadays, many singers might have a setup similar to what you have,

291
00:17:52,620 --> 00:17:56,060
a mic at home that they're doing their own lessons with

292
00:17:56,060 --> 00:17:59,500
or they're trying to get a demo on GarageBand, something like that.

293
00:18:00,380 --> 00:18:03,820
In this process of finding your voice,

294
00:18:03,820 --> 00:18:10,780
how much of a learning curve is it to teach someone how to do it in a studio environment?

295
00:18:10,780 --> 00:18:15,740
It's one thing to belt in a shower or in the car and just have a great voice,

296
00:18:15,740 --> 00:18:19,580
but finding your voice in a studio environment.

297
00:18:21,020 --> 00:18:23,660
Is that quite a learning curve or is it often like,

298
00:18:23,660 --> 00:18:25,580
I let the engineer do it, I don't know what he's doing.

299
00:18:27,020 --> 00:18:30,540
I always say the microphone only picks up what you put into it.

300
00:18:33,900 --> 00:18:37,820
With all the editing in the world, after you record,

301
00:18:38,780 --> 00:18:42,300
if you didn't put in the work before,

302
00:18:42,940 --> 00:18:45,740
you're not going to get the result that you want to see.

303
00:18:46,860 --> 00:18:50,700
We have autotune, we have melodyne, we can change the pitches that you're singing.

304
00:18:51,340 --> 00:18:53,340
But that's not the hard part.

305
00:18:54,060 --> 00:18:57,580
That's not the work that we need to put in to just sing the right notes.

306
00:18:58,140 --> 00:19:01,340
This is actually something I talk about on social media all the time.

307
00:19:01,340 --> 00:19:04,860
I just started a new series, the singer versus artist series,

308
00:19:05,580 --> 00:19:12,140
where I'm demonstrating how a singer focuses on just singing the notes, singing the right notes.

309
00:19:12,780 --> 00:19:17,740
An artist focuses on how they are singing those notes and storytelling.

310
00:19:18,220 --> 00:19:23,100
Right? If you just go into the studio and you're like,

311
00:19:23,660 --> 00:19:26,860
the sound engineer, they can do their magic and it'll be fine.

312
00:19:26,860 --> 00:19:28,140
That's a singer mentality.

313
00:19:28,700 --> 00:19:33,020
That's someone who just goes in and fingers crossed and we'll see what happens.

314
00:19:33,820 --> 00:19:38,460
But an artist, they don't really focus on the notes they are singing,

315
00:19:38,460 --> 00:19:42,700
or what notes they are singing, but rather how they are singing those notes.

316
00:19:43,420 --> 00:19:43,900
Yep.

317
00:19:43,900 --> 00:19:47,100
And so I don't know if that answers your question.

318
00:19:48,540 --> 00:19:51,420
It does. Yeah, that's a really interesting point.

319
00:19:51,420 --> 00:19:53,500
And the thing that I was thinking of, it's almost like,

320
00:19:54,380 --> 00:20:00,860
say if you're watching a guitar player who was technically perfect and sound,

321
00:20:00,860 --> 00:20:07,740
and he hit every note the right way, and some of the people that we enjoy the most

322
00:20:07,740 --> 00:20:15,180
aren't the most technically sound singers, performers, dancers, whatever, you name it.

323
00:20:15,740 --> 00:20:19,340
It's the ones who can kind of own it and make it their own.

324
00:20:19,340 --> 00:20:25,900
And you just like the way that, I don't know, like Bob Dylan is a,

325
00:20:25,900 --> 00:20:27,180
everybody knows who Bob Dylan is.

326
00:20:27,180 --> 00:20:30,460
And I don't think anyone would be like, he's the greatest singer of all time.

327
00:20:31,020 --> 00:20:31,660
No, yeah.

328
00:20:32,300 --> 00:20:36,140
But they're like, he's, but people love the way that his songs are written.

329
00:20:36,780 --> 00:20:40,940
The way that either like the message behind them, or sometimes like the emotion

330
00:20:40,940 --> 00:20:45,020
and the voice, like it's not all about just hitting the right notes.

331
00:20:45,020 --> 00:20:46,860
Absolutely. It's not all about technique.

332
00:20:46,860 --> 00:20:52,380
And again, that's where our voice lessons are a little bit different from voice lessons that

333
00:20:52,380 --> 00:20:57,180
you see at like a school of rock or, you know, just other schools out there,

334
00:20:57,180 --> 00:21:01,020
or other voice teachers, is we, vocal technique is very important.

335
00:21:01,020 --> 00:21:02,460
We want to keep your voice healthy.

336
00:21:02,460 --> 00:21:05,900
Don't get me wrong, but it's not everything.

337
00:21:06,380 --> 00:21:10,940
And so that's why our focus is really to transform singers into artists

338
00:21:11,740 --> 00:21:22,540
and focus on originality, self-expression, authenticity first, and do theory,

339
00:21:22,540 --> 00:21:29,180
or technique rather, technique, and just like helping you become a more well-rounded singer.

340
00:21:29,180 --> 00:21:31,980
Second, both is important.

341
00:21:31,980 --> 00:21:34,940
I've had people in the comments of my videos tell me,

342
00:21:34,940 --> 00:21:37,580
you are literally ruining voices with your advice.

343
00:21:37,580 --> 00:21:40,700
And I'm like, you are just not understanding what I'm saying.

344
00:21:40,700 --> 00:21:42,940
And also this is a 30 second video.

345
00:21:42,940 --> 00:21:45,020
I can't say everything in 30 seconds.

346
00:21:45,020 --> 00:21:52,060
Okay. But yeah, it's just, I don't want the other part, the artistry part to get lost.

347
00:21:52,060 --> 00:21:56,060
And unfortunately, very often it gets lost in singing lessons.

348
00:21:56,060 --> 00:21:58,140
And it's kind of making me sad.

349
00:21:58,140 --> 00:21:59,260
And that's why I do what I do.

350
00:21:59,340 --> 00:22:05,020
Yeah. I think part of that, you know, when artists are trying to find their voice,

351
00:22:05,020 --> 00:22:08,060
often they're comparing it to kind of like you said, like, hey, well,

352
00:22:08,060 --> 00:22:11,260
what I'm seeing right now is Christina Aguilera and Beyonce.

353
00:22:11,260 --> 00:22:12,700
And everyone seems to be doing this.

354
00:22:12,700 --> 00:22:13,900
So that's where I got to be.

355
00:22:14,540 --> 00:22:16,940
And that can kind of come with the time.

356
00:22:16,940 --> 00:22:21,180
Someone now might be like, hey, Billie Eilish is doing this thing with her voice.

357
00:22:21,180 --> 00:22:22,380
So I got to try to do that.

358
00:22:22,380 --> 00:22:25,660
And it's like, if you're always chasing the trend,

359
00:22:26,620 --> 00:22:29,980
you're going to be a year and a half behind every time.

360
00:22:30,700 --> 00:22:31,340
Absolutely.

361
00:22:31,340 --> 00:22:33,660
Even if you get to the point where you master it and you're like,

362
00:22:33,660 --> 00:22:35,420
I sound just like Billie Eilish.

363
00:22:35,420 --> 00:22:38,380
Well, then people just go, yeah, you sound just like Billie Eilish.

364
00:22:38,380 --> 00:22:42,620
But if I want Billie Eilish, I'll just go listen to Billie Eilish.

365
00:22:42,620 --> 00:22:43,180
Oh my gosh.

366
00:22:43,180 --> 00:22:44,460
Thank you so much for saying that.

367
00:22:44,460 --> 00:22:46,700
I say that all the time, right?

368
00:22:46,700 --> 00:22:51,020
Like you will never be as good as the original.

369
00:22:51,020 --> 00:22:53,180
So be your own original, right?

370
00:22:53,900 --> 00:22:56,540
It makes no sense to just go out there and copy someone.

371
00:22:56,540 --> 00:23:01,100
As far as trends goes, someone else just recently asked me this question.

372
00:23:01,100 --> 00:23:06,380
And my answer was, what we hear on the radio these days,

373
00:23:06,380 --> 00:23:09,660
I mean, if you listen to the radio, but even like Spotify or TikTok,

374
00:23:09,660 --> 00:23:11,260
Instagram, wherever you listen to music,

375
00:23:12,860 --> 00:23:18,780
there is no clear trend anymore as far as voice goes,

376
00:23:18,780 --> 00:23:22,860
as far as vocal quality goes, as far as pitch goes,

377
00:23:22,860 --> 00:23:24,540
how high, how low are you singing?

378
00:23:24,540 --> 00:23:29,020
We hear so many more different things, right?

379
00:23:29,020 --> 00:23:32,940
Like Demi Lovato and Billie Eilish couldn't be any more different,

380
00:23:32,940 --> 00:23:35,580
yet they are both very current, right?

381
00:23:35,580 --> 00:23:38,700
And then we have singer-songwriter styles like Lizzie McAlpine,

382
00:23:38,700 --> 00:23:41,500
and she's also very different.

383
00:23:41,500 --> 00:23:47,340
And vocally, we hear more different things across the board

384
00:23:47,340 --> 00:23:50,700
because that's just my guess.

385
00:23:50,700 --> 00:23:54,060
But my best guess is the reason why this is,

386
00:23:54,060 --> 00:23:57,420
is labels are no longer in charge of who gets heard and who doesn't.

387
00:23:58,460 --> 00:24:02,700
And so people are now choosing who they want to listen to

388
00:24:02,700 --> 00:24:07,020
and which voice they like and which storyteller they like.

389
00:24:07,020 --> 00:24:14,700
And so we see a much broader range of vocalists, singers, artists out there

390
00:24:15,660 --> 00:24:18,860
than we used to. That's my opinion.

391
00:24:18,860 --> 00:24:19,340
Big time.

392
00:24:20,060 --> 00:24:23,340
Yeah, like when I was growing up, every pop star,

393
00:24:24,300 --> 00:24:27,180
okay, like right, we've got like Mariah Carey, Britney Spears,

394
00:24:27,180 --> 00:24:29,980
Christina Aguilera, Jessica Simpson.

395
00:24:30,860 --> 00:24:33,660
I don't even know, but like that was like the look.

396
00:24:34,860 --> 00:24:39,660
And then like, and then with the look, all kind of had a similar sound.

397
00:24:40,540 --> 00:24:44,460
And it's almost like the same two producers kind of worked with all of them.

398
00:24:44,460 --> 00:24:47,420
And they're just like, here's our sound and you put your version on it.

399
00:24:48,140 --> 00:24:51,660
And I think you still get like pockets of that in music,

400
00:24:51,660 --> 00:24:53,820
but there are like far more of them.

401
00:24:54,620 --> 00:24:59,500
And I think now it kind of is part of like why

402
00:24:59,500 --> 00:25:02,380
it's hard to like make a superstar now

403
00:25:03,020 --> 00:25:06,380
where someone who like is just like, oh yeah, I know them.

404
00:25:06,380 --> 00:25:11,020
My nephew knows them and my parents know who this person is.

405
00:25:11,660 --> 00:25:13,660
It's really hard to do that.

406
00:25:14,940 --> 00:25:19,420
I wonder with that example, I'm wondering who the last person is,

407
00:25:19,420 --> 00:25:23,420
because like I bet my mom might know who Billie Eilish is.

408
00:25:24,700 --> 00:25:29,420
Is she like the biggest pop star right now from like who's new?

409
00:25:30,220 --> 00:25:31,020
Probably.

410
00:25:31,020 --> 00:25:33,660
Because you know, like Demi Lovato's been around since Disney.

411
00:25:33,660 --> 00:25:36,060
She's been doing something for 15 years, you know?

412
00:25:36,060 --> 00:25:37,340
And like Beyonce is still current,

413
00:25:37,340 --> 00:25:39,420
but she's been around since I was in middle school.

414
00:25:39,420 --> 00:25:40,380
Taylor.

415
00:25:40,380 --> 00:25:41,180
Taylor Swift.

416
00:25:41,180 --> 00:25:42,780
Yeah, she's been around.

417
00:25:42,780 --> 00:25:43,340
Yeah.

418
00:25:43,340 --> 00:25:45,660
Again, since I was in high school at least.

419
00:25:45,660 --> 00:25:47,740
Yeah, probably Billie.

420
00:25:48,300 --> 00:25:49,100
Probably Billie.

421
00:25:50,060 --> 00:25:53,980
And because it's so, because people get to choose

422
00:25:53,980 --> 00:25:58,860
who they are listening to and it's not always selected for them,

423
00:25:58,860 --> 00:26:01,340
it kind of like divvies up that attention

424
00:26:01,340 --> 00:26:05,500
and it all doesn't just get piled into two, you know, Christina and Britney.

425
00:26:06,700 --> 00:26:07,500
You know?

426
00:26:07,500 --> 00:26:08,000
Yes.

427
00:26:08,000 --> 00:26:15,520
All right, so let's say you've gotten to the point where you've found your voice

428
00:26:15,520 --> 00:26:18,480
and what do you know, it's a good voice too.

429
00:26:19,280 --> 00:26:23,680
Let's talk about how you turn that voice into a business

430
00:26:23,680 --> 00:26:30,240
and how the modern music business and how the whole landscape to the music business

431
00:26:30,240 --> 00:26:32,640
has been influenced by social media.

432
00:26:33,440 --> 00:26:38,080
And I think that's wonderful because now so many more artists

433
00:26:38,080 --> 00:26:42,240
have the opportunity to reach people thanks to social media, right?

434
00:26:42,240 --> 00:26:49,600
And it's, I've seen people's lives change in a matter of months

435
00:26:50,240 --> 00:26:53,920
and not because a label came in and made them a star,

436
00:26:53,920 --> 00:26:56,800
you know, like star makers just aren't a thing anymore.

437
00:26:56,800 --> 00:27:00,800
You are your own star maker, like, you got to be a star maker.

438
00:27:01,440 --> 00:27:03,520
Like, you got to put in the work.

439
00:27:03,520 --> 00:27:05,280
If you want to get to Billie Eilish levels,

440
00:27:06,160 --> 00:27:07,360
you got to put in the work.

441
00:27:07,360 --> 00:27:09,760
Ain't nobody's going to do it for you now, right?

442
00:27:09,760 --> 00:27:15,920
So it's amazing how fast people's lives can change just because of social media.

443
00:27:15,920 --> 00:27:19,600
Now we'll see what's going to happen with the potential TikTok ban, but.

444
00:27:19,600 --> 00:27:20,880
Yeah, how do you feel about that?

445
00:27:20,880 --> 00:27:25,600
Are you, at this point, you've built quite the following on the platform.

446
00:27:25,600 --> 00:27:27,680
Yeah, almost 900,000 people, you know?

447
00:27:28,320 --> 00:27:30,960
Right, that's nothing to scoff at, right?

448
00:27:30,960 --> 00:27:32,240
That's a big following.

449
00:27:32,240 --> 00:27:35,200
Like, are you, in a way, nervous?

450
00:27:37,280 --> 00:27:40,560
Because you've built such a, like, it's good luck doing that again.

451
00:27:40,560 --> 00:27:43,120
Like, you know, nothing on some other platform.

452
00:27:43,120 --> 00:27:43,680
No, for sure.

453
00:27:43,680 --> 00:27:45,120
Like, that's not easy to do.

454
00:27:45,120 --> 00:27:45,760
Absolutely.

455
00:27:45,760 --> 00:27:48,960
I am more worried for artists than for myself

456
00:27:50,000 --> 00:27:55,680
because my audience on TikTok is not the same that I have on, like,

457
00:27:55,680 --> 00:27:58,640
Instagram, for example, where I just hit 200,000 today.

458
00:27:58,640 --> 00:27:59,600
Yay, thank you so much.

459
00:28:01,600 --> 00:28:02,240
Thank you, thank you.

460
00:28:03,440 --> 00:28:06,720
But, you know, for me as a business owner, at the end of the day, of course,

461
00:28:06,720 --> 00:28:11,600
I want to help people, but these people that I help are paying my bills.

462
00:28:11,600 --> 00:28:16,160
So these are people that are spending money to work with me and my team.

463
00:28:16,800 --> 00:28:24,000
And I see more of those people, like, way more of those people on Instagram than on TikTok.

464
00:28:24,000 --> 00:28:28,000
I would say, even though my TikTok audience is, what,

465
00:28:28,000 --> 00:28:30,960
almost five times bigger than my Instagram audience,

466
00:28:30,960 --> 00:28:36,160
maybe 1% of my paying customers come from TikTok.

467
00:28:36,160 --> 00:28:39,360
And so for me, you know, TikTok is great for reach.

468
00:28:40,080 --> 00:28:44,320
And that's, you know, if you're an artist and you need to collect streams,

469
00:28:44,320 --> 00:28:46,480
for example, awesome.

470
00:28:46,480 --> 00:28:50,160
But I feel like your super fans, if we want to call,

471
00:28:50,160 --> 00:28:52,160
if you want to call your audience that, you know,

472
00:28:52,160 --> 00:28:54,720
the people that will buy your merch and come to your tickets,

473
00:28:54,720 --> 00:28:55,920
those people are on Instagram.

474
00:28:56,480 --> 00:28:58,560
TikTok is way too short-lived.

475
00:28:58,560 --> 00:28:59,360
Very interesting.

476
00:28:59,360 --> 00:29:02,960
And that's a perfect segue of the singing lesson into like,

477
00:29:02,960 --> 00:29:04,400
okay, now I have this business.

478
00:29:05,520 --> 00:29:06,080
Yeah.

479
00:29:06,080 --> 00:29:11,520
And so I'm sure in a way you kind of have this light bulb moment once where you're like,

480
00:29:11,520 --> 00:29:13,440
a lot of people keep asking me for help.

481
00:29:13,440 --> 00:29:15,040
Like, I should charge for this.

482
00:29:15,760 --> 00:29:19,520
Or was it like, did you strategize and from like,

483
00:29:20,160 --> 00:29:24,160
you know, a thousand feet away, you say, I'm going to end up here doing this.

484
00:29:24,160 --> 00:29:26,480
Like, at what point did that light bulb go off?

485
00:29:26,480 --> 00:29:28,960
And you said, I can make some money doing this.

486
00:29:28,960 --> 00:29:31,360
Yeah. So neither of those.

487
00:29:32,560 --> 00:29:33,440
So here's my story.

488
00:29:35,040 --> 00:29:36,960
Like I said, I was signed to a manager, right?

489
00:29:36,960 --> 00:29:38,160
And I made my own music.

490
00:29:38,160 --> 00:29:39,360
I released an album.

491
00:29:39,360 --> 00:29:42,640
I did all those things, you know, back when people were still releasing albums.

492
00:29:42,640 --> 00:29:46,480
But, you know, that's not the topic right now.

493
00:29:46,480 --> 00:29:47,600
Decades ago.

494
00:29:47,920 --> 00:29:48,480
Decades ago.

495
00:29:49,520 --> 00:29:51,840
So, I mean, it's not even that long ago, honestly.

496
00:29:51,840 --> 00:29:59,680
But anyways, so, you know, my whole dream, my entire life was to be an artist in Hollywood,

497
00:29:59,680 --> 00:29:59,920
right?

498
00:29:59,920 --> 00:30:03,360
Like a Lady Gaga, like a Christina Aguilera, like those people, right?

499
00:30:04,080 --> 00:30:09,600
And so I was on the way to doing that, right?

500
00:30:09,600 --> 00:30:13,520
I was doing all the things you needed to do to have a career in music.

501
00:30:14,320 --> 00:30:20,080
And the more I did it, the more I didn't like it anymore.

502
00:30:20,080 --> 00:30:22,080
I liked the music part of it.

503
00:30:22,080 --> 00:30:28,000
I liked writing and recording and, you know, the music part of the music business.

504
00:30:28,000 --> 00:30:33,520
But unfortunately, even as an artist, that part is maybe 5% of what you do.

505
00:30:33,520 --> 00:30:38,560
And everything else is content creation and business stuff, right?

506
00:30:39,120 --> 00:30:44,640
And I, oh my gosh, if I went back now, I would do it so differently.

507
00:30:44,640 --> 00:30:46,320
And I would see so much more success.

508
00:30:46,320 --> 00:30:47,360
Oh my gosh.

509
00:30:47,360 --> 00:30:49,360
Because now I know who I am.

510
00:30:49,360 --> 00:30:51,200
And now I know what's important to me.

511
00:30:51,200 --> 00:30:55,760
And back then, I just wanted to be famous and make a lot of money.

512
00:30:55,760 --> 00:30:56,800
Going to be honest with you.

513
00:30:57,520 --> 00:30:58,960
Famous doing anything?

514
00:30:58,960 --> 00:31:00,560
Like, I'll just, I'll do anything.

515
00:31:00,560 --> 00:31:01,280
Give me a song.

516
00:31:01,280 --> 00:31:01,840
I'll sing it.

517
00:31:01,840 --> 00:31:02,080
Oh my gosh.

518
00:31:02,080 --> 00:31:04,320
I was just like, I just, pretty much.

519
00:31:04,320 --> 00:31:08,960
I was like, I don't like, just get some hit songwriter and I'll sing the song, right?

520
00:31:08,960 --> 00:31:11,840
Like, that was my mentality.

521
00:31:11,840 --> 00:31:15,520
Just because I had no idea about anything.

522
00:31:15,520 --> 00:31:16,560
I was so naive.

523
00:31:16,560 --> 00:31:17,360
I was so naive.

524
00:31:17,360 --> 00:31:19,680
And just not ripe.

525
00:31:20,240 --> 00:31:21,680
I just wasn't ripe for it, right?

526
00:31:21,680 --> 00:31:26,160
I was just not old enough or wise enough or whatever you want to call it, right?

527
00:31:26,720 --> 00:31:31,200
And so creating social media content for me was such a chore.

528
00:31:31,200 --> 00:31:34,800
Because everything I did didn't feel authentic.

529
00:31:35,680 --> 00:31:38,080
My music was authentic because I wrote it.

530
00:31:38,080 --> 00:31:42,400
And whenever I got feedback on my music, it was wonderful feedback.

531
00:31:42,400 --> 00:31:45,520
But everything else around it, you know, like my manager was like, well,

532
00:31:45,520 --> 00:31:51,360
you should wear combat boots and crop tops and big, like wide pants.

533
00:31:51,920 --> 00:31:55,920
And I'm like, I don't, I don't walk around like that.

534
00:31:57,520 --> 00:31:58,020
Why?

535
00:31:58,880 --> 00:31:59,440
Right?

536
00:31:59,520 --> 00:32:04,560
So it just, it was a, it was not a good thing, right?

537
00:32:04,560 --> 00:32:06,080
It's just the music that came out of it.

538
00:32:06,080 --> 00:32:06,560
Wonderful.

539
00:32:06,560 --> 00:32:08,160
Everything else, not that great.

540
00:32:08,160 --> 00:32:12,160
And so the more I did it, the more I was like, I hate this.

541
00:32:12,800 --> 00:32:17,680
And I truly believe if you want to make it in music, you have to love it.

542
00:32:17,680 --> 00:32:19,920
Of course, you're not going to love every aspect of it,

543
00:32:20,480 --> 00:32:25,200
but you're going to have to really love what you do to do the things you don't want to do.

544
00:32:25,200 --> 00:32:26,720
And that's always a part of everything.

545
00:32:26,720 --> 00:32:29,200
Even the business that I do now, there's always parts that I'm like,

546
00:32:29,440 --> 00:32:31,200
I don't want to do this, but I have to.

547
00:32:31,200 --> 00:32:32,640
But I love what I do now.

548
00:32:32,640 --> 00:32:34,800
And I didn't, I didn't, I just didn't love it.

549
00:32:35,600 --> 00:32:39,680
And I went through a whole identity crisis for like two years.

550
00:32:39,680 --> 00:32:44,480
I was hanging on to it because my entire life I was like, this is what I'm going to do.

551
00:32:44,480 --> 00:32:45,760
And now I'm doing it.

552
00:32:45,760 --> 00:32:47,920
And now I'm like, I don't like it.

553
00:32:47,920 --> 00:32:49,600
What the heck is going on?

554
00:32:49,600 --> 00:32:50,100
Right?

555
00:32:50,480 --> 00:32:52,960
So, oh my gosh, yes.

556
00:32:52,960 --> 00:32:55,200
I was just like, what is going on?

557
00:32:55,200 --> 00:32:57,360
Identity crisis for like two years.

558
00:32:57,360 --> 00:33:01,520
And so I had bills to pay and I started teaching voice lessons on the side.

559
00:33:01,520 --> 00:33:06,640
And the more I was teaching, the more I fell in love with helping others

560
00:33:06,640 --> 00:33:08,640
rather than building a career for myself.

561
00:33:08,640 --> 00:33:13,840
I do amazing work, if I may say so myself, when I work with others

562
00:33:13,840 --> 00:33:17,920
and they are depending on me to show up and teach them and mentor them.

563
00:33:17,920 --> 00:33:21,520
And, you know, just share my knowledge and help them in any way I can

564
00:33:22,480 --> 00:33:27,680
versus when the only person really profiting from what I'm doing is myself,

565
00:33:28,800 --> 00:33:33,920
then I'm not really doing that great of a work, of work, right?

566
00:33:33,920 --> 00:33:39,120
Like I can show up to meetings like this, but if it's like,

567
00:33:39,120 --> 00:33:41,200
Laura, you should practice because, you know,

568
00:33:41,200 --> 00:33:43,280
you're going to have to go to the studio here in three weeks.

569
00:33:43,280 --> 00:33:45,840
I'm like, I can do it tomorrow, you know?

570
00:33:46,480 --> 00:33:58,240
So besides that, it's also, I get so much joy from seeing other people be happy

571
00:33:58,240 --> 00:34:00,080
and feel successful.

572
00:34:01,840 --> 00:34:04,160
There's nothing that beats that to me, right?

573
00:34:04,160 --> 00:34:07,280
Just like helping other people achieve their dreams.

574
00:34:07,280 --> 00:34:10,880
To me is so much more fulfilling than me achieving my own dreams.

575
00:34:10,880 --> 00:34:16,800
So I realized that and, you know, then COVID hit.

576
00:34:18,240 --> 00:34:22,560
And I had a tour planned for my own music

577
00:34:22,560 --> 00:34:26,320
and that was supposed to start in April and COVID hit in March, right?

578
00:34:26,320 --> 00:34:27,600
And everything closed in March.

579
00:34:28,400 --> 00:34:31,280
And so I had to cancel my whole tour and that's when I was like,

580
00:34:31,280 --> 00:34:32,720
all right, this is it.

581
00:34:32,720 --> 00:34:37,200
I am not going to put any more focus into like building a career

582
00:34:37,200 --> 00:34:39,920
that I don't even want, really.

583
00:34:40,880 --> 00:34:47,040
And I'm going to take all that focus and build a real vocal coaching business.

584
00:34:47,920 --> 00:34:52,880
And so that's when really everything changed for me.

585
00:34:52,880 --> 00:34:56,640
And then Vox Tape Studios launched in August of 2020.

586
00:34:56,640 --> 00:34:57,140
Awesome.

587
00:34:57,920 --> 00:35:03,040
Well, I think a lot of what you've done is these circumstances happen to you

588
00:35:03,680 --> 00:35:06,160
and you kind of just like adapt.

589
00:35:06,720 --> 00:35:07,760
And that's pretty impressive.

590
00:35:08,720 --> 00:35:11,680
I think a lot of people,

591
00:35:12,880 --> 00:35:18,160
when they get that first or second or third or tenth or thousandth objection

592
00:35:19,040 --> 00:35:21,760
or roadblock, whether it's something like,

593
00:35:21,760 --> 00:35:25,840
oh, this manager sucks or like the song I wrote stinks or like,

594
00:35:25,840 --> 00:35:29,520
I don't like whatever objective objection there is,

595
00:35:30,400 --> 00:35:34,160
it gets easier and easier to just kind of give up eventually

596
00:35:34,160 --> 00:35:35,520
once there's so many of them, right?

597
00:35:36,160 --> 00:35:41,040
And I think you have this really cool like,

598
00:35:41,600 --> 00:35:43,600
you're still in the music business.

599
00:35:44,720 --> 00:35:48,800
You get to be your authentic self.

600
00:35:48,800 --> 00:35:52,560
You get to help others find that version of themselves.

601
00:35:53,360 --> 00:35:58,640
And like, you kind of like happened upon this like really cool career.

602
00:35:59,440 --> 00:36:02,640
And do you ever take a moment to kind of be like,

603
00:36:02,720 --> 00:36:08,800
hey, maybe my vision of making it 10 years ago wasn't quite this,

604
00:36:08,800 --> 00:36:12,480
but do you feel that you've like made it now in a way?

605
00:36:13,360 --> 00:36:16,400
I get to do what I like to do in the music business.

606
00:36:16,400 --> 00:36:17,360
I made it.

607
00:36:17,360 --> 00:36:17,860
Yeah.

608
00:36:22,400 --> 00:36:24,480
So for me, it's always like, oh, what's the next thing?

609
00:36:24,480 --> 00:36:25,360
What's the next thing, right?

610
00:36:25,360 --> 00:36:30,000
I'm so bad at celebrating my wins that I'm always like,

611
00:36:30,000 --> 00:36:31,520
all right, that was awesome.

612
00:36:31,520 --> 00:36:32,800
Now what's next?

613
00:36:34,080 --> 00:36:36,960
But yes, I feel very successful in what I do.

614
00:36:36,960 --> 00:36:40,160
I have a team of six, well, with me, seven people.

615
00:36:41,440 --> 00:36:44,240
And it's absolutely amazing.

616
00:36:46,080 --> 00:36:49,360
I make a decent living doing what I love to do.

617
00:36:49,360 --> 00:36:52,080
And at the end of the day, that to me is success.

618
00:36:52,080 --> 00:36:54,240
I have a bunch of people always asking me like,

619
00:36:54,240 --> 00:36:56,320
do you ever want to go back to making your own music?

620
00:36:56,320 --> 00:36:58,800
Like, are you ever going to release a song again?

621
00:36:58,800 --> 00:37:01,280
And to me, it's like, maybe, who knows?

622
00:37:01,280 --> 00:37:04,480
But right now, no, I love what I do.

623
00:37:04,480 --> 00:37:08,160
And I don't want to go back to doing it myself

624
00:37:09,440 --> 00:37:12,880
just because I prefer helping other people doing it.

625
00:37:12,880 --> 00:37:17,040
So yeah, and just to go back to the not quitting thing,

626
00:37:17,840 --> 00:37:19,520
I have two things that I always say.

627
00:37:19,520 --> 00:37:22,000
One is it's not the best singer that makes it.

628
00:37:22,000 --> 00:37:24,400
It's the one who doesn't quit that makes it

629
00:37:25,040 --> 00:37:29,040
because you will get a lot of rejection in this business.

630
00:37:29,040 --> 00:37:29,440
Oh, yeah.

631
00:37:29,440 --> 00:37:31,040
A lot of rejection, right?

632
00:37:31,440 --> 00:37:33,600
It's the person who doesn't quit who makes it.

633
00:37:33,600 --> 00:37:36,320
And the other thing, I said this to a student once.

634
00:37:36,320 --> 00:37:38,320
And to me, it wasn't even that big of a deal,

635
00:37:38,320 --> 00:37:40,560
but to her, it was like, oh my gosh.

636
00:37:40,560 --> 00:37:44,640
She was in school for architecture and she hated it.

637
00:37:45,600 --> 00:37:48,400
And I started working with her and kind of like

638
00:37:48,400 --> 00:37:51,680
started giving her permission to take her music more seriously

639
00:37:51,680 --> 00:37:53,520
because she was good at what she was doing, right?

640
00:37:54,400 --> 00:37:55,600
She was just afraid of it.

641
00:37:55,600 --> 00:37:58,160
And I told her, look, you are not quitting.

642
00:37:58,160 --> 00:38:00,160
You are just refocusing.

643
00:38:01,120 --> 00:38:05,040
Don't feel like you are a quitter just by following your dreams

644
00:38:05,040 --> 00:38:07,200
and like doing something else, right?

645
00:38:07,200 --> 00:38:09,600
Or for me, it's the opposite, right?

646
00:38:09,600 --> 00:38:14,160
I was doing the whole music thing and I didn't quit.

647
00:38:14,160 --> 00:38:19,520
I refocused and started going to more the coaching side of music.

648
00:38:19,520 --> 00:38:21,520
And that really stood out to her.

649
00:38:21,520 --> 00:38:23,280
And she really likes calligraphy.

650
00:38:23,280 --> 00:38:25,760
So she made a huge like poster of that.

651
00:38:25,760 --> 00:38:26,560
You are not quitting.

652
00:38:26,560 --> 00:38:28,640
You're just refocusing like quotes.

653
00:38:28,640 --> 00:38:30,320
And then Laura Chapman at the bottom.

654
00:38:30,320 --> 00:38:33,920
And I was like, oh my God, this is my first quote.

655
00:38:33,920 --> 00:38:34,640
I love it.

656
00:38:36,800 --> 00:38:37,840
Put it on Pinterest.

657
00:38:37,840 --> 00:38:38,640
Put it on Pinterest.

658
00:38:38,640 --> 00:38:39,140
Yes.

659
00:38:39,840 --> 00:38:40,400
Yes.

660
00:38:40,400 --> 00:38:40,880
Oh my gosh.

661
00:38:40,880 --> 00:38:41,680
That was so cool.

662
00:38:41,680 --> 00:38:42,240
That's awesome.

663
00:38:42,240 --> 00:38:42,740
Yeah.

664
00:38:43,200 --> 00:38:46,640
Yeah, I really like that a lot because quitting would mean you stop.

665
00:38:47,280 --> 00:38:50,560
Like it's like we had this direction.

666
00:38:50,560 --> 00:38:51,760
I thought I was going this way.

667
00:38:52,320 --> 00:38:54,080
Turns out I'm just kind of taking a turn.

668
00:38:54,080 --> 00:38:55,760
I'm going this way, but I'm still going.

669
00:38:55,760 --> 00:38:56,720
Yeah, exactly.

670
00:38:56,720 --> 00:38:59,680
And in a similar way, like, you know, I used to make music.

671
00:39:00,640 --> 00:39:04,000
I kind of always thought I was like, I'd be in the music business.

672
00:39:04,000 --> 00:39:05,680
I can do this one way or another.

673
00:39:05,680 --> 00:39:08,560
I never thought I'd be like, you know, the chain smokers or something.

674
00:39:08,560 --> 00:39:13,760
But I was like, I can do something, but never quite thought it would be like from,

675
00:39:13,760 --> 00:39:18,240
oh, the advertising side of helping other musicians run their app.

676
00:39:18,880 --> 00:39:25,040
But like I've been having this conversation with certain musicians where I'm like,

677
00:39:25,040 --> 00:39:30,240
don't lose sight of like how many different skills you can acquire by trying to like

678
00:39:31,120 --> 00:39:33,600
get your own music off of the ground.

679
00:39:33,600 --> 00:39:38,000
Like you probably have learned a lot about project managing

680
00:39:38,000 --> 00:39:42,960
with a producer, an engineer, a studio owner, and like all this shit.

681
00:39:42,960 --> 00:39:45,040
You're project managing the whole thing.

682
00:39:46,160 --> 00:39:50,160
You probably have some experience with all this stuff on social media.

683
00:39:50,160 --> 00:39:54,000
Like you probably have learned how to make a bunch of different content,

684
00:39:54,000 --> 00:40:00,880
maybe tried to learn how to run ads, like even if one day music does just become a hobby for you

685
00:40:00,880 --> 00:40:05,760
and you turn 31 like me and you're like, okay, I'm not going to be the next Eminem.

686
00:40:05,760 --> 00:40:06,880
So now what?

687
00:40:06,880 --> 00:40:13,600
Like there's a lot of skills that you can pick up by trying to do your own music business

688
00:40:13,600 --> 00:40:21,040
that when it might come time to refocus, you can apply a ton of what you've learned to other things.

689
00:40:21,040 --> 00:40:25,040
So like honing in on your music business isn't like

690
00:40:25,040 --> 00:40:28,080
this thing that will put you out on a deserted island.

691
00:40:28,080 --> 00:40:32,960
Like you can pick up a ton of skills that are applicable to many other things.

692
00:40:32,960 --> 00:40:37,680
So like if there's some folks out there who are on the fence of like diving into,

693
00:40:38,480 --> 00:40:41,680
I thought I want to be an architect, but man, I just, I can't stop singing.

694
00:40:41,680 --> 00:40:43,040
I want to be, do it.

695
00:40:43,920 --> 00:40:44,720
Jump in, try.

696
00:40:44,720 --> 00:40:46,800
You'll never know if you don't try.

697
00:40:46,800 --> 00:40:47,760
Oh, absolutely.

698
00:40:47,760 --> 00:40:48,960
You don't regret the things you do.

699
00:40:48,960 --> 00:40:50,640
You regret the things you don't do, right?

700
00:40:51,040 --> 00:40:52,400
And you are so right.

701
00:40:52,400 --> 00:40:57,920
You're developing so many skills, you know, because at the end of the day,

702
00:40:57,920 --> 00:41:00,480
if you are an artist, you're an entrepreneur, right?

703
00:41:00,480 --> 00:41:04,160
And you are the boss of your own business.

704
00:41:04,160 --> 00:41:09,440
And so there's a lot of shit that you need to do as your own boss, right?

705
00:41:09,440 --> 00:41:12,800
Like social media creation, like web development.

706
00:41:12,800 --> 00:41:15,680
Like, you know how many websites I built over the years?

707
00:41:15,680 --> 00:41:17,360
Like, holy crap, right?

708
00:41:17,840 --> 00:41:25,600
There's so much, so many skills that you need to learn and you need to pick up along the way.

709
00:41:25,600 --> 00:41:34,800
But those are incredibly valuable skills for any job, really out there, like in any industry.

710
00:41:35,840 --> 00:41:38,400
Even if you end up going back to architecture,

711
00:41:39,680 --> 00:41:42,400
you know how to run a business now, essentially.

712
00:41:43,120 --> 00:41:44,880
You've learned about all these different things.

713
00:41:45,520 --> 00:41:48,480
You can apply that whenever you're applying for a job,

714
00:41:48,480 --> 00:41:54,160
or if you are opening your own architecture studio or whatever that's called.

715
00:41:54,160 --> 00:41:55,120
Business, right?

716
00:41:55,120 --> 00:41:55,520
Whatever.

717
00:41:58,480 --> 00:41:59,520
Yes, office.

718
00:41:59,520 --> 00:41:59,840
I don't know.

719
00:42:01,120 --> 00:42:05,520
So, you know, like you can use those skills that you learned again there.

720
00:42:06,080 --> 00:42:09,440
And how do you, so this is my question to you.

721
00:42:09,440 --> 00:42:13,120
How do you feel about Plan A and Plan B?

722
00:42:13,600 --> 00:42:19,440
How a lot of people are like, well, I'm going to go to college for psychology,

723
00:42:19,440 --> 00:42:22,640
but I really want to do music or whatever.

724
00:42:23,440 --> 00:42:26,400
Okay, so that's a really good question.

725
00:42:27,200 --> 00:42:32,560
Part of me, I totally understand the whole Plan B distracts from Plan A.

726
00:42:33,440 --> 00:42:34,400
I totally get that.

727
00:42:34,400 --> 00:42:38,640
I think it depends on the person and the ability to,

728
00:42:40,880 --> 00:42:42,080
what's the word I'm looking for?

729
00:42:42,080 --> 00:42:45,760
Just like separate things and be a multitasker.

730
00:42:48,160 --> 00:42:50,560
Music was always what I wanted to do,

731
00:42:50,560 --> 00:42:53,680
but I was very aware that it was a very hard thing to do.

732
00:42:53,680 --> 00:42:56,000
And I kind of sooner or later was kind of like,

733
00:42:56,000 --> 00:42:58,880
if I don't have some sort of backup plan,

734
00:42:58,880 --> 00:43:02,080
where at least I'm not aware of, hey, learning how to use these ads,

735
00:43:02,080 --> 00:43:03,840
I can at least apply it to something else.

736
00:43:05,360 --> 00:43:09,760
Not being aware enough of what my Plan B could be,

737
00:43:10,640 --> 00:43:16,320
I think would have been a negative looking back at it.

738
00:43:17,200 --> 00:43:18,160
I think it depends.

739
00:43:18,880 --> 00:43:22,240
I think that's such a good question.

740
00:43:22,240 --> 00:43:23,600
It's hard, isn't it?

741
00:43:23,600 --> 00:43:25,520
I think to me, even now I've got,

742
00:43:26,160 --> 00:43:28,480
I don't necessarily have Plan A, B, and C.

743
00:43:28,480 --> 00:43:29,760
I just have plans.

744
00:43:30,480 --> 00:43:32,880
So I consider myself an entrepreneur.

745
00:43:33,440 --> 00:43:37,520
And a year ago, I wouldn't have told you that I was like,

746
00:43:37,520 --> 00:43:42,560
oh yeah, I'd be running ads for businesses instead of just musicians.

747
00:43:42,560 --> 00:43:44,240
But it kind of just happened.

748
00:43:44,240 --> 00:43:47,680
So it wasn't necessarily a plan as much as I was.

749
00:43:47,680 --> 00:43:53,040
I think you should focus on Plan A, but be open to a Plan B

750
00:43:53,040 --> 00:43:54,800
that maybe you didn't think of,

751
00:43:54,800 --> 00:43:57,840
because opportunities present themselves in interesting ways.

752
00:43:57,840 --> 00:44:02,160
And if you're so, nope, this is where I'm going no matter what,

753
00:44:02,800 --> 00:44:05,600
you might lose out on a good opportunity.

754
00:44:05,600 --> 00:44:11,760
And nowadays, I think even many of the best musicians out there

755
00:44:11,760 --> 00:44:13,520
aren't just musicians.

756
00:44:13,520 --> 00:44:14,560
They're doing other things.

757
00:44:14,560 --> 00:44:17,520
They have clothing brands, they've got makeup lines,

758
00:44:17,520 --> 00:44:20,400
they've got the YouTube channels, they've got TV shows,

759
00:44:20,400 --> 00:44:21,520
they've got a whole bunch of shit.

760
00:44:21,520 --> 00:44:24,960
So it's not necessarily plans, it's just plans.

761
00:44:24,960 --> 00:44:25,600
I like that.

762
00:44:25,600 --> 00:44:33,600
So I think you should have a priority, a goal of what you want to do,

763
00:44:33,680 --> 00:44:36,000
a direction you want to go in,

764
00:44:36,880 --> 00:44:41,120
but don't block yourself off from an alternate route

765
00:44:41,120 --> 00:44:42,880
that you didn't know was there.

766
00:44:42,880 --> 00:44:45,520
Because it might take you down a scenic path that you really like.

767
00:44:46,080 --> 00:44:51,760
And part of it was if Plan A, even though you know you didn't like it,

768
00:44:51,760 --> 00:44:53,920
if no plan A, this is what I told myself I'm doing,

769
00:44:53,920 --> 00:44:56,560
I'm going to be a Hollywood singer, that's what I'm doing no matter what,

770
00:44:57,760 --> 00:45:00,640
you might not have ended up in the situation you're in.

771
00:45:01,440 --> 00:45:05,760
You were at least open to a different path than the one you had in mind,

772
00:45:05,760 --> 00:45:07,120
and now look where it got you.

773
00:45:07,120 --> 00:45:10,400
Yeah, it took me two years to finally admit it,

774
00:45:11,280 --> 00:45:13,520
but yes, yes, absolutely.

775
00:45:13,520 --> 00:45:15,200
I really love that answer.

776
00:45:15,200 --> 00:45:18,080
I feel like that is the best answer I've ever heard to that question.

777
00:45:18,880 --> 00:45:19,840
That's a good answer.

778
00:45:19,840 --> 00:45:22,160
There we go, on the cutting through podcast, baby.

779
00:45:22,160 --> 00:45:24,720
Yes, love it.

780
00:45:24,720 --> 00:45:25,600
That was so good.

781
00:45:25,600 --> 00:45:26,400
That's really funny.

782
00:45:27,920 --> 00:45:29,760
Well, I know we're running out of time here,

783
00:45:29,760 --> 00:45:34,080
so is there anything that you can leave the folks who are listening?

784
00:45:34,080 --> 00:45:35,200
Where can they find you?

785
00:45:35,200 --> 00:45:38,080
If they want to get a singing lesson, where do they find you?

786
00:45:38,080 --> 00:45:38,880
Yeah, absolutely.

787
00:45:38,880 --> 00:45:43,040
You can find us on social media at voxtapestudios,

788
00:45:43,040 --> 00:45:45,440
and on Instagram is probably the best,

789
00:45:45,440 --> 00:45:47,840
because we never know what's going to happen with TikTok.

790
00:45:47,840 --> 00:45:52,720
We have a YouTube channel as well, website voxtapestudios.com.

791
00:45:52,720 --> 00:45:54,640
I'd love to do a lesson with you.

792
00:45:54,640 --> 00:45:56,640
If you want to do a one-on-one session,

793
00:45:56,640 --> 00:46:00,320
I do that first session with all new students,

794
00:46:00,320 --> 00:46:03,440
so I meet every single student at our studio first.

795
00:46:03,440 --> 00:46:06,960
If you want to work with me personally, you can book a one-on-one session with me.

796
00:46:06,960 --> 00:46:09,040
We also have self-guided online courses.

797
00:46:09,760 --> 00:46:15,200
The Confidence Singer is a really great way to learn

798
00:46:16,320 --> 00:46:20,080
what's your own voice on your own time as well.

799
00:46:20,080 --> 00:46:22,640
If you're just wanting to get started,

800
00:46:22,640 --> 00:46:25,840
but you're not quite ready to do private sessions,

801
00:46:25,840 --> 00:46:29,040
then the Confidence Singer course is a great way to figure out

802
00:46:29,040 --> 00:46:31,200
what is your prima voce, what is your strength,

803
00:46:31,200 --> 00:46:32,880
how are you different from everybody else,

804
00:46:32,880 --> 00:46:34,640
what songs fit your voice really well.

805
00:46:35,920 --> 00:46:40,960
That's really our focus, whether you do the course or private lessons.

806
00:46:41,520 --> 00:46:42,160
Oh, yeah.

807
00:46:42,160 --> 00:46:44,720
Well, I love the content you do.

808
00:46:44,720 --> 00:46:48,320
You provide a ton of value on TikTok and Instagram.

809
00:46:48,320 --> 00:46:50,720
Let's hope TikTok sticks around for you a little bit longer.

810
00:46:53,760 --> 00:46:55,360
Thank you so much, Laura, for coming by.

811
00:46:56,400 --> 00:46:57,280
It's been great having you.

812
00:46:57,280 --> 00:46:58,000
Thanks again.

813
00:46:58,000 --> 00:46:59,040
Thank you so much, Elliot.

814
00:46:59,040 --> 00:46:59,840
It was wonderful.

815
00:46:59,840 --> 00:47:00,560
So much fun.

816
00:47:00,560 --> 00:47:01,060
Thanks.

817
00:47:03,200 --> 00:47:09,680
Now, whether it's with your voice or your music business as a whole,

818
00:47:09,680 --> 00:47:14,560
I think Laura has illustrated the importance of adaptability

819
00:47:15,120 --> 00:47:22,080
and being able to change and being able to recognize what's working and what isn't.

820
00:47:23,040 --> 00:47:30,560
I also think that her interview here is a great reflection of tracking personal growth

821
00:47:31,280 --> 00:47:34,480
and illustrating the different diverse paths

822
00:47:35,200 --> 00:47:39,040
that folks can find success in the music industry.

823
00:47:39,040 --> 00:47:44,880
I'm sure back in the day, she didn't think that her success in the music business

824
00:47:44,880 --> 00:47:47,760
would be teaching hundreds of folks how to sing

825
00:47:47,760 --> 00:47:51,040
and do a better job of finding their own voice.

826
00:47:51,040 --> 00:47:58,000
But man, what a great way to make a business in the music industry and do what you love.

827
00:47:58,720 --> 00:48:00,800
Thank you, everybody, for joining this episode.

828
00:48:01,520 --> 00:48:03,200
We really appreciate your support.

829
00:48:03,200 --> 00:48:07,120
The best way to support the show, short of sending me cash,

830
00:48:07,120 --> 00:48:11,520
is subscribing and rating the show.

831
00:48:11,520 --> 00:48:14,160
Wherever it is, you listen to podcasts.

832
00:48:14,160 --> 00:48:15,840
This has been the Cutting Through Podcast.

833
00:48:15,840 --> 00:48:24,640
My name is Elliott Towsley, and we'll see you again soon.